Edouard Vuillard's Oil Paintings
	Edouard Vuillard Museum November 11, 1868-June 21, 1940. French painter.
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Here are all the paintings of Eastman Johnson 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
39074		A Ride for Liberty	mk140 circa 1862 Oil on board 55.8x66.4cm
71843		A Ride for Liberty -- The Fugitive Slaves	between 1860(1860) and 1864(1864) Oil on paper board 55.8 x 66.4 cm (21.97 x 26.14 in)
49324		A Ride for Liberty-The Fugitive Slaves	mk195 1862 Oil on board 22x26
45369		Das Ahornzucker-Larger	mk181 um 1865-73 Ol auf Holz 25.7x57.4cm
45370		Das Leben im Suden	mk181 1859 Ol auf Leinwand 91x119cm
45375		Das Madchen,das ich Zurucklieb	mk181 vor 1875 Ol auf Leinwand 106.7x88.7cm
45372		Die Familie Brown	mk181 1869 Ol auf Papier auf Leinwand aufgezogen 59x72cm
84305		Fiddling His Way	Oil on canvas - 24.35 x 36.25 in - 1866 - Scanned from Eastman Johnson: Painting America - fig 78 pg 149 cyf
73114		Fugitive Slaves	Date between 1860(1860) and 1864(1864) Medium Oil on paper board Dimensions 55.8 X 66.4 cm (21.97 X 26.14 in) cyf
84237		Fugitive Slaves	Oil on paperboard - 22 x 26.25 in - c 1862 cyf
31695		La famille Hatch	mk75 1871 Huile sur toile:122x186.4cm
50525		Negro life at the South	mk212 Oil on canvas 36x45in
80212		Negro Life at the South	Negro Life at the South - Oil on canvas - 36 x 45.25 in Date 1859(1859) cjr
39080		Not at Home	mk140 circa 1873 Oil on canvas 67.1x56.7cm
80485		Ojibwe Wigwam at Grand Portage	Ojibwe Wigwam at Grand Portage - Oil on canvas 10.25 x 15.2 - 1857 - Scanned from cjr
84752		Ojibwe Wigwam at Grand Portage	Oil on canvas 10.25 x 15.2 - 1857 - Scanned from cyf
74812		Sugar Camp	English: "The Sugar Camp (also known as Making Maple Sugar or Susan Ray's Maple Sugaring Kitchen)," oil on paperboard, by the American artist Eastman Johnson. 14 in. x 23 in. Yale University Art Gallery, gift of Teresa Heinz in memory of her husband H. John Heinz III, B.A. 1960. Courtesy of Yale University, New Haven, Conn. Date circa 1861-1866 cyf
33016		The Boy Lincoln	nn08 1868
39282		The Converstaion	mk146 1879 Oil on canvas
4219		The Cranberry Harvest on the Island of Nantucket	1880 Timken Art Gallery, San Diego
31954		THe Cranberry Harvest,Island of Nantucket	mk77 1880 Oil on canvas 27 3/8x54 1/2in
94068		The Girl I left behind me	1875(1875) Medium English: Oil on Canvas Dimensions 106,7 x 88,7 cm cjr
38681		The Hatch Family	mk139 Oil on canvas 1871
49313		The Letter Home	mk195 1867 Oil on composition board 23x27 Musuem of Fine art
84353		The Lord is my Shepard	Oil on wood -16.625 x 13.125 in - c 1863 cyf
38357		The Lord Is My Shepherd	mk136 Oil on canvas about 1863
4218		The Old Stagecoach	1871 Milwaukee Art Museum
49363		The Pension Agent	mk195 1867 Oil on canvas 25x37
72992		The Sugar Camp	"The Sugar Camp (also known as Making Maple Sugar or Susan Ray's Maple Sugaring Kitchen)," oil on paperboard, by the American artist Eastman Johnson. 14 in. x 23 in. Yale University Art Gallery, gift of Teresa Heinz in memory of her husband H. John Heinz III, B.A. 1960. Courtesy of Yale University, New Haven, Conn. cjr
80275		Union Soldiers Accepting a Drink	Union Soldiers Accepting a Drink - Oil on canvas - 10.75 x 15.25 in - c 1865 - Scanned from Eastman Johnson: Painting America - fig 75 pg 139 cjr
84518		Union Soldiers Accepting a Drink	Oil on canvas - 10.75 x 15.25 in - c 1865 - Scanned from Eastman Johnson: Painting America - fig 75 pg 139 cyf

Eastman Johnson

1824-1906 Jonathan Eastman Johnson Galleries Eastman Johnson (July 29, 1824 - April 5, 1906) was an American painter, and Co-Founder of the Metropolitan Museum of Art, New York City, with his name inscribed at its entrance. Best known for his genre paintings, paintings of scenes from everyday life, and his portraits both of everyday people, he also painted portraits of prominent Americans such as Abraham Lincoln, Nathaniel Hawthorne, Ralph Waldo Emerson, and Henry Wadsworth Longfellow. His later works often show the influence of the 17th century Dutch masters whom he studied while living in The Hague, and he was even known as The American Rembrandt in his day. Johnson's style is largely realistic in both subject matter and in execution. His original photorealistic charcoal sketches were not strongly influenced by period artists, but are informed more by his lithography training. Later works show influence by the 17th century Dutch and Flemish masters, and also by Jean François Millet. Echoes of Millet's The Gleaners can be seen in Johnson's The Cranberry Harvest, Island of Nantucket although the emotional tone of the work is far different. His careful portrayal of individuals rather than stereotypes enhances the realism of his paintings. Ojibwe artist Carl Gawboy notes that the faces in the 1857 portraits of Ojibwe people by Johnson are recognizable in people in the Ojibwe community today. Some of his paintings such as Ojibwe Wigwam at Grand Portage display near photorealism long before the photorealism movement but in keeping with the American tradition of realism that can be seen in the works of Charles Willson Peale whose painting The Stairway Group is said to have fooled George Washington. His careful attention to light sources contributes to the realism. Portraits Girl and Pets and The Boy Lincoln make use of single light sources in a manner that echoes the 17th Century Dutch Masters.

All the Edouard Vuillard's Oil Paintings

Supported by oil paintings and picture frames